D.
The number of sharps or flats in each key signature :
From C going clockwise ----> increasing SHARPS in the key signatures.
From C going anti-clockwise ------> increasing FLATS in the key signatures.
E.
The Circle of 5ths segments in the Mystery tune are :
F - F#dim - (Gm7 - C7) - (Am7 - Dm7 - Gm7 - C7 - F) - F#dim -
(Gm7 - C7) - (Am7 - Dm7 - Cm7 - F7 - Bb) - (Abm7 - Db7 - Gbmaj7) -
(Em7 - A7 - Dmaj7) - (Abm7 - Db7 - Gbmaj7) - (Gm7 - C7 - F) - F#dim -
(Gm7 - C7) - Bb7 - (Am7 - D7 - Gm7 - C7 - F) - (Dm7 - Gm7 - C7 - F).
There are only five chords in the above progression that do not belong to a Circle segment.
These isolated chords (F#dim and Bb7) function in this song as passing chords that connect one Circle segment to the next.
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© 1998 Michael Furstner (Jazclass)