A.
For G : Cmaj7 - F#ø - Bm7 - Em7 - Am7 - D7 - Gmaj7

For C : Fmaj7 - Bø - Em7 - Am7 - (Dm7) - G7 - Cmaj7

For F : Bbmaj7 - Eø - Am7 - Dm7 - Gm7 - C7 - Fmaj7

B.
The missing chord is shown in brackets.

1. Fmaj7 - Bø - Em7 - Am7 - (Dm7) - G7 - Cmaj7

2. Cmaj7 - (F#ø) - Bm7 - Em7 - Am7 - D7 - Gmaj7

3. Abmaj7 - Dø - Gm7 - Cm7 - Fm7 - (Bb7) - Ebmaj7

4. Ebmaj7 - Aø - (Dm7) - Gm7 - Cm7 - F7 - Bbmaj7

5. (Amaj7) - D#ø - G#m7 - C#m7 - F#m7 - B7 - Emaj7

6. Gmaj7 - C#ø - (F#m7) - Bm7 - Em7 - A7 - Dmaj7

C.
Fly me to the Moon (Bart Howard)
This is the scale-tone chord progression of C major.
The progression starts and ends on the VIm7 chord (Am7).

The E7 chord (in bar 7) is a mini modulation (to the key of A harmonic major).
To fit into the C major chord progression it should have been Em7.

D.
All the Things You Are - 1 (Jerome Kern / Oscar Hammerstein)
This is the scale-tone chord progression of Ab major.
The progression starts on the VIm7 chord (Fm7).

The root tones of the two chords in the last three bars follow the scale-tone chord progression, but the chord qualities have changed. It represents a three bar modulation to the key of C major.

E.
All the Things You Are - 2 (Jerome Kern / Oscar Hammerstein)
This is the scale-tone chord progression of Eb major.
The progression starts on the VIm7 chord (Cm7).

The root tones of the two chords in the last three bars follow the scale-tone chord progression, but the chord qualities have changed. It represents a three bar modulation to the key of G major.

Note that the first 8 bars and second 8 bars of this song are identical in chord structure but expressed in two different keys. The two are cleverly connected by the Cmaj7 chord in bards 7 and 8, that subtly turns into a C minor chord in bar 9.

F.
Autumn Leaves - 2 (Johnny Mercer)
This is the scale-tone chord progression of G major.
The progression starts on the IIm7 chord (Am7), and ends on the VIm chord (Em).

The B7 chord (in bar 6) is a mini modulation to the key of E (harmonic) minor. (We will discuss this type of minor progression in Lesson 17).

G.
1. Friends Forever is 24 bars long and has an A B A format. The chord progression of all three 8 bar sections is very similar.

2. The A7 (turnaround) in bar is a temporary modulation to D major. The D7 in bars 13 and 14 is a temporary modulation to G major.

3. Most long notes are chord tones. The long Es in bar 13 and 15 are clearly perceived as 9ths of the D7 and Dm7 chords. Even the long E fits in as a 13th of G7. 4. The long notes in the first 8 bars form a gradually descending line of so called guide tones. This gives continuity and forward motion to the melody.
This is a common feature of songs created from the entire scale-tone chord progression (check out the melody of Fools Rush In, All the Things you Are, Autumn Leaves). It is also a good device to use in creating strong improvised solos.

H.
In C :
(1) A C E F - (3) A B D F - G B D E - G A C E - F A C D - F G B D - E G B C

(3) E F A C - (1) D F A B - D E G B - C E G A - C D F A - B D F G - B C E G

In G :
(1) E G B C - (3) E F# A C - D F# A B - D E G B - C E G A - C D F# A - B D F# G

(3) B C E G - (1) A C E F# - A B D F# - G B D E - G A C E - F# A C D - F# G B D

I.
Check with Scale-tone 7th Chord progression 1 and Scale-tone 7th Chord progression 2.