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Saxophone Course
SUBJECT INDEX
Page 2 (K - P)

A - B - C - D - E - F

G - H - I - J - K - L

M - N - O - P - Q - R

S - T - U - V - WX - YZ

Practice Studio

Lesson : Intro | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | ??



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K.

Klondyke - harness - L2.2



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L.

larynx - L6.5 - L6.5a - L6.5b
in organic imagery - L9.2b - L9.3 - L9.3a

LaVoz - (reed classification) L3.2
comment - L3.3a

lead player
when to take a breath - L4.4

legato articulation - L7.5

legs (posture) - L2.1a

ligature
assembly - L3.4
Rovner ligature - L3.4

lip
best position of bottom lip - L3.7
function for embouchure - L3.5
lower lip position for embouchure - L3.5
upper lip position for embouchure - QA3.B

logbook
Practice Logbook - L1.5

Lonesome Bossa (song) - L2.7

long tone Exercises - L9.8

loop or 'antinode' of a sound wave - L1.1 - L5.2

Lost in Space (song) - L1.7



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M.

major pentatonic scale - L10.7
notation and fingering in all keys - part 1 - part 2

major scale
exercises - L1.6 - L4.7 - L8.6
exercise patterns - L10.7d
notation and fingering in all keys - part 1 - part 2
practice schedule - L10.7d

meditation - Intro.4
Meditation (song : 'Ave Maria') - L9.8b
Overtone practice - L5.6

Memories for Tomorrow (song) - L3.9

metronome - L7.7b - L7.8
for vibrato exercises - L10.3a

minim - note names

Mitchell Lurie (reed classification) - L3.2

mouth
position for embouchure - L3.5
roof of mouth in breathing exercise - L4.3
shapes when voicing - L5.1a
sizes for various note pitches - L6.3b

mouthpiece (general) - L3.1
assembly - L3.4
baritone sax - L3.3a
classification - L3.1a
hard rubber - L3.1a
metal - L3.1a - L6.3d
pitches for unattached mouthpieces - L3.8 - QA3.E
selection - L3.3
Selmer - L3.1a - L3.3a
table - L3.4
tip rail - L3.4
Yamaha - L3.1a - L3.3a



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N.

neck strap - L2.2
adjustment - L2.2c
harness - L2.2 - Klondyke harness

node (of a sound wave) - L1.1 - L5.2

note
length - L4.5
names - English (used in this Course)
names - Other languages



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O.

octave skips Exercises - L8.8 - L8.9

open pipe (acoustic system) - L6cl.1

oral tract
altissimo register - L10.5
doubling of instruments - L10.8
Registers - L6.3 - L6.3a
Register transitions - L6.6a
shapes when voicing - L5.1a
sizes for various note pitches - L6.3b
organic imagery - L9.3 - L9.3a
vibrato - L10.2 - L10.4a

(Oral tract) Bell Register - L6.3a - L6.3c

(Oral tract) Chest Register - L6.3a

(Oral tract) Head Register - L6.3a - L6.3c
breaking into L6.4 - L6a

optimum tone - L6.3c

organic imagery (general) - L9.1
breathing - L9.5
doubling of instruments - L10.8
oral tract - L9.3 - L9.3a
posture - L9.7
tone center - L9.2
tone projection - L9.4
vowels - L9.6

Overtones (general) - L5.2
Audio : Overtones 1 to 4 - L5.4 - L5.5a
Audio : Overtones 1 to 8 - L5.4 - L5.5a
Exercises 1 to 4 - L5.5 - L5.7
Exercises 5 to 8 - L6.6 - L6.7
first 8 Overtones - L5.4 - L5.4a
first Overtone Exercises - L5.4
how long to practise - L5.6 - L6a
how Overtone practice works - L5.3
mouthpiece and reed - L6.3d - L6a.1a
on the clarinet - L6cl.2 - L6cl.2a
on the guitar - L9.6a
Overtones 4 to 7 (dominant 7th chord) - QA5.D
Overtones 1 to 16 for all saxes - L6.6b
Overtone Series - L5.2
partials - L5.2a
practice schedule - L10.7 - L10.7a



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P.

palate
hard - L6.5 - L6.5b
soft - L6.5 - L6.5a - L6.5b - L9.2c

palm
right hand palm action for side C and Bb - L2.5
left hand palm action for high D - L2.5a

partials - L5.2a

pharynx - L6.5 - L6.5a - L6.5b
organic imagery - L9.3 - L9.3a

phrase
when to take a breath - L4.4

pitch
change through tongue movement - L9.6b
loss of control - L6a.1b

player
beginner (tongue action) - L7.4a
skilled (tongue action) - L7.4a

posture general - L2.1
Alexander Technique - L9.7b
Do - L2.1
Don't - L2.1a
PAVE - L1.4
optimum playing position - L2.2c
organic imagery - L9.7

practice
altissimo register - L10.6a
correct embouchure pressure - L3.8
first Overtone Exercises - L5.4
how Overtone practice works - L5.3
Overtone Practice Chart
Practice Folder - L1.5a
Practice Logbook - L1.5a
Schedule (for general practice) - L10.7
slurred tones in twos - L1.6
tone practice with articulation - L7.4a

pressure
embouchure - L3.6
embouchure for clarinet - L3.6a
embouchure for saxophone - L3.6a - L3.6b


Subject Index Page 3



Copyright © 2002 Michael Furstner (Jazclass). All rights reserved.