(Down)
Quiz 16 Answers
A.
Analyse the chord progression of Satin Doll (by Duke Ellington) in terms of II-V-I segments.
A section
| Dm7 - G7 | Dm7 - G7 | = IIm7 V7s in C
| Em7 - A7 | Em7 - A7 | = IIm7 V7s in D
| Am7 - D7 | = IIm7 V7 in G
Abm7 - Db7 = IIm7 V7 in Gb
| C7 B7 | Bb7 A7 | = see Lesson 19 Tritone substitutions
Bridge
| Gm7 | C7 | Fmaj7 | Fmaj7 | = IIm7 V7 Imaj7 in F
| Am7 | D7 | = IIm7 V7 in G
B.
Identify the wrong chords in these IIm7 - V7 - Imaj7 progressions.
- Am7 - D7 - Gmaj7
- F#m7 - B7 - Emaj7
- Fm7 - Bb7 - Ebmaj7
- Cm7 - F7 - Bbmaj7
- Gm7 - C7 - Fmaj7
C.
Identify the missing chords in these IIm7 - V7 - Imaj7 progressions.
- Am7 - D7 - Gmaj7
- Bm7 - E7 - Amaj7
- Fm7 - Bb7 - Ebmaj7
- Ebm7 - Ab7 - Dbmaj7
- Bbm7 - Eb7 - Abmaj7
D.
Write out the II-V-I Blues chord progression, using the Thelonius Monk variations :
In Roman numerals :
| I7 | | IV7 | | I7 | | I7 | |
|
| IV7 | | IV7 | | I7 | | IIIm7 VI7 | |
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| IIm7 | | V7 | | I7 | | (V7) | ||
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In the key of Bb :
| Bb7 | | Eb7 | | Bb7 | | Bb7 | |
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| Eb7 | | Eb7 | | Bb7 | | Dm7 G7 | |
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| Cm7 | | F7 | | Bb7 | | (F7) | ||
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In the key of C :
| C7 | | F7 | | C7 | | C7 | |
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| F7 | | F7 | | C7 | | Em7 A7 | |
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| Dm7 | | G7 | | C7 | | (G7) | ||
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In the key of G :
| G7 | | C7 | | G7 | | G7 | |
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| C7 | | C7 | | G7 | | Bm7 E7 | |
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| Am7 | | D7 | | G7 | | (D7) | ||
|
E.
The IIm7 - V7 - Imaj7 chord progression in all 12 keys.
For C = C D E F G A Bb C | For G = G A B C D E F G |
For D = D E F# G A B C D | For A = A B C# D E F# G A |
For E = E F# G# A B C# D E | For B = B C# D# E F# G# A B |
For F# = F# G# A# B C# D# E F# | For Db = Db Eb F Gb Ab Bb B (='Cb') Db |
For Ab = Ab Bb C Db Eb F Gb Ab | For Eb = Eb F G Ab Bb C Db Eb |
For Bb = Bb C D Eb F G Ab Bb | For F = F G A Bb C D Eb F |