Jazz Theory 16 - QUIZ ANSWERS

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Quiz 16 Answers

A.
Analyse the chord progression of Satin Doll (by Duke Ellington) in terms of II-V-I segments.

A section
| Dm7 - G7 | Dm7 - G7 | = IIm7 V7s in C
| Em7 - A7 | Em7 - A7 | = IIm7 V7s in D | Am7 - D7 | = IIm7 V7 in G
Abm7 - Db7 = IIm7 V7 in Gb
| C7 B7 | Bb7 A7 | = see Lesson 19 Tritone substitutions

Bridge
| Gm7 | C7 | Fmaj7 | Fmaj7 | = IIm7 V7 Imaj7 in F
| Am7 | D7 | = IIm7 V7 in G


B.
Identify the wrong chords in these IIm7 - V7 - Imaj7 progressions.

  1. Am7 - D7 - Gmaj7

  2. F#m7 - B7 - Emaj7

  3. Fm7 - Bb7 - Ebmaj7

  4. Cm7 - F7 - Bbmaj7

  5. Gm7 - C7 - Fmaj7


C.
Identify the missing chords in these IIm7 - V7 - Imaj7 progressions.

  1. Am7 - D7 - Gmaj7

  2. Bm7 - E7 - Amaj7

  3. Fm7 - Bb7 - Ebmaj7

  4. Ebm7 - Ab7 - Dbmaj7

  5. Bbm7 - Eb7 - Abmaj7


D.
Write out the II-V-I Blues chord progression, using the
Thelonius Monk variations :

In Roman numerals :

| I7| IV7| I7| I7|

| IV7

| IV7

| I7

| IIIm7 VI7

|

| IIm7

| V7

| I7

| (V7)

||

In the key of Bb :

| Bb7| Eb7| Bb7| Bb7|

| Eb7

| Eb7

| Bb7

| Dm7 G7

|

| Cm7

| F7

| Bb7

| (F7)

||

In the key of C :

| C7| F7| C7| C7|

| F7

| F7

| C7

| Em7 A7

|

| Dm7

| G7

| C7

| (G7)

||

In the key of G :

| G7| C7| G7| G7|

| C7

| C7

| G7

| Bm7 E7

|

| Am7

| D7

| G7

| (D7)

||


E.
The IIm7 - V7 - Imaj7 chord progression in all 12 keys.
Dm7 - G7 - Cmaj7Gm7 - C7 - Fmaj7Cm7 - F7 - Bbmaj7
Fm7 - Bb7 - Ebmaj7Bbm7 - Eb7 - Abmaj7Ebm7 - Ab7 - Dbmaj7
Abm7 - Db7 - Gbmaj7C#m7 - F#7 - Bmaj7F#m7 - B7 - Emaj7
Bm7 - E7 - Amaj7Em7 - A7 - Dmaj7Am7 - D7 - Gmaj7


F. - G.
The Mixolydian modes in all keys are :

For C = C D E F G A Bb CFor G = G A B C D E F G
For D = D E F# G A B C DFor A = A B C# D E F# G A
For E = E F# G# A B C# D EFor B = B C# D# E F# G# A B
For F# = F# G# A# B C# D# E F#For Db = Db Eb F Gb Ab Bb B (='Cb') Db
For Ab = Ab Bb C Db Eb F Gb AbFor Eb = Eb F G Ab Bb C Db Eb
For Bb = Bb C D Eb F G Ab BbFor F = F G A Bb C D Eb F



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Answers to Ear test 22

Single Items test : C scales
1 = Mixolydian mode2 = major scale
3 = Dorian mode 4 = major scale
5 = Dorian mode 6 = Mixolydian mode
7 = Dorian mode8 = Mixolydian mode
9 = Dorian mode10 = Mixolydian mode


Identify the 12 modes in Ear test 22.
(You need not identify the tonic of each mode.)

1 = (D) Dorian mode2 = (D) Mixolydian mode 3 = (D) Major scale
4 = (F) Mixolydian mode 5 = (F) Major scale6 = (F) Dorian mode
7 = (C) Mixolydian mode8 = (A) Dorian mode9 = (Eb) Mixolydian mode
10 = (G) Major scale11 = (Bb) Dorian mode12 = (E) Major scale


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© 1998 Michael Furstner (Jazclass)