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Biographical Log of Michael Furstner - Page 214
 
 
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The Martinshof Story -
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Tuesday - Friday, June 21 - 24 2011
(diary)
 
 
The first of my two bridge courses has now been completed. Everybody was happy with the 
lessons and full enthusiasm to implement and practice what they have learned. 
  As 
a thank you for my efforts a group of them took me out for dinner at the Northlakes 
Chinese restaurant attached to the Darwin Golf Club. We had a lovely evening 
complemented by some excellent Chinese food.
  It is the Northern hemisphere summer 
now and several of the dinner guests are about to depart for far flung places around the 
world : Mauritius, Canada, Italy, France, Scandinavia, South America, etc.
   This I 
find is one of the great differences in attitude between people living in Australia and  
in Europe (or in the USA for that matter). Most of us here in Australia make regular 
trips to other Continents, whereas Europeans rarely appear to leave their own. This has 
the consequence of rather inward looking mentalities predominant especially amongst 
the older European generation. The younger ones, it is very good to see, do travel more, 
and many travel around Australia as back packers. So hopefully the old Continent will 
gradually change for the better in this regard.
  
 
Speaking of travel : my friend Malveen has just returned from her painting workshop in 
Tuscany. It has been "the experience of a lifetime" so she tells me. Presently 
still recovering  from her jet lag I will soon hear and see (photos!) more about 
Malveen's  trip.
  Here on the Mango farm it has been very busy. The  veranda  
around the house is being concreted. A huge job carried out by a crew of eight and two 
concrete trucks. The result looks magnificent.
  
 
 
 
 
 
 
 
 
 
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Saturday - Thursday, June 25 - 30 2011
(diary)
 
 
Malveen sent me a glowing account of her trip to Italy. If you are planning a 
visit to Pisa Hotel Bologna, right in the center of town, is a great 
place to stay. And in case you are planning to follow a painting or 
writers workshop Watermill in 
Posara is reputedly one of the best places in Europe to do that. 
Stunning scenery (as yet not many tourists), great accommodation and food, and very experienced world class 
tutors. 
Interestingly we sussed this all out online early this year. The Internet is 
definitely the best place to find and book things these days.
  
As I write this I hear Andrew working  on his Bobcat on the Mango farm right now. 
He is  cultivating another area  on his property, clearing undergrowth, 
preparing a lawn area, planting new trees, etc. 
Owning a piece of land gives many people great pleasure, and most people here, 
 away from the main centres of Darwin and Palmerston, all live on 5-10 acre 
blocks doing their own thing on their land. They live as it were in their own 
little "Kingdom" where they can do what they want  and express themselves in 
whatever way they wish. (This is of course a common occurence throughout a big country like Australia.)
  
  I know that my father 
enjoyed the two hectares we had of the forest at Martinshof. He was 
forever making new footpaths through the woods on which he did his daily walks 
with the dogs. When he needed to think things through for his business he 
would take a rake and clear the paths of autumn leaves. In fact when I ran the 
business in 1981-83 after his sudden passing away, I did the very same thing.
 
 
 The rear lawn at Martinshof was the focal point of our lives.  Initially, 
during the war (1942-45, WW2) the area you see on above photo behind the  far tree was 
established as a large vegetable garden. Later it was converted into a lawn. During the final stages of the war, the near portion (on the photo) of the lawn  was extensively fertilised (after 
nights of heavy drinking), first by German, then by Allied officers who had 
confiscated part of our house for their accommodation. As children we played 
soccer, badminton and all sorts of other games on the lawn, and during the 
wonderful Martinshof 
Summer Exposition in 1952, it featured as exhibition ground for six of Piet Slegers's early 
sculptures, created just after his apprenticeship with Henri Moore in 
England.
  
   
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Copyright © 2011 Michael Furstner
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