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Im 9.1 - Scale-tone 7th Chords of the Major scale
Scale-tone 7th chords are formed in exactly the same way as the scale-tone triads in Lesson 2.
We can build a scale-tone 7th chord on every note of the major scale by stacking four alternate notes of the scale on top of each other.
This producing the following seven chords :
Audio 9.1
We can do the same in any key.
In the key of F for example :
Audio 9.2
Although the chords built on the same letter name are not always the same (e.g. G7 and Gm7, Em7 and Eø), the qualities of the same chord numbers are allways identical.
Imaj7 in scale of C is also Imaj7 in the scale of F, IIIm7 in C is also IIIm7 in F, VIIø in C is also VIIø in F.
The chord qualities of the scale-tone 7th chords are the same in all 12 keys.
Therefore :
- The I chord of any major scale is always MAJOR 7th (IΔ)
- The II chord of any major scale is always MINOR 7th (IIm7)
- The III chord of any major scale is always MINOR 7th (IIIm7)
- The IV chord of any major scale is always MAJOR 7th (IΔ)
- The V chord of any major scale is always DOMINANT 7th (V7)
- The VI chord of any major scale is always MINOR 7th (VIm7)
- The VII chord of any major scale is always HALF DIMINISHED (VIIø)
Each major scale contains :
- 2 major 7th chords (IΔ and IVΔ)
- 3 minor 7th chords ( IIm7, IIIm7 and VIm7)
- only 1 dominant 7th chord (V7)
- only 1 half diminished chord (VIIø)