A - B - C - D - E - F
G - H - I - J - K - L
M - N - O - P - Q - R
S - T - U - V - WXYZ
(Down - Up - Links)
Lydian dominant scale - L8.1 - L8.3b - L10.3a - L10.5 - L10.5a - L16.5a - L18.1c - L20.5a Lydian mode - L8.1 - L18.1b
(Down - Up - Top - Links) M. Maelzel, Johan - L2a "magnetic force" (in music) - L7.1a major scale - L1.1 - L10.1 - L12.1 - L12.1b - L13.1 - L14.1 - L14.1a diads - L19.5 note terminology practice - L1.5 - L7.5 - L12.4 - L13.6 - L14.4 - L19.5 related minor scale - L17.1 major pentatonic scale - L5.1 - L5.4 - L5.7 - L8.3 major 7th chord - L9.1 - L16.5b - L19.1 practice - L7.5 - L10.6 - L13.6 major triad - L1.1 - L3.1 - L4.1 - L4.3 practice - L4.5 - L12.4 Mancini, Henri - L8.2 Marks, Gerald (Simon & Marks) - L9.2 mediant - note terminology meditation - L7.4 melodic minor scale - L8.1a - L17.1 - L17.2g practice - L20.5 melody (improvised bridge) - L8.3 Mercer, Johnny - L13.2 - L13.2a - L19.2b Messiaen, Olivier - L10.3 - L16.1b metronome - L2a - L20.4a mezzo ( -piano, or -forte) - L7.4a midi files - Intro 4 - L7.4c Mills, Irving - L20.1a minim - note terminology minor pentatonic scale - L6.2 - L6.4 - L8.3 minor 7th chord - L9.1 - L12.1b - L17.2 - L18.1a - L19.1 - L20.1 practice - L9.5 - L10.6 - L13.6 minor Major 7th chord - L9.1a - L15.1a - L20.1 minor scales - L17.1 related major scale - L17.1 minor triad - L4.1 - L4.5 - L8.2a - L17.2d - L20.1 practice - L4.5 - L12.4 Mixolydian mode - L3.2 - L3.6 - L8.1 - L13.2a - L14.1a - L16.5a practice - L3.6 - L8.5 - L14.4 MM - L2a modal Jazz - L2.2a modes Aeolian (natural minor scale) - L12.1b - L17.1 - L17.2b - L17.2f Dorian mode Lydian - L8.1 - L18.1b Mixolydian mode Phrygian mode - L17.1a - L17.2c modulation (of harmony) - L7.1a Monk, Thelonius - L10.3 - L10.4 - L14.2 Montgomery, Wes - L14.2a Morrison, James - L20.4c motif (rhythmic) - L20.2 mouth organ - EK.1a - EK.3 - L7.4b Mulligan, Gerry - L7.4b musical forces - L7.1a My Funny Valentine (song) - L20.1a (Down - Up - Top - Links) N. natural minor sale (Aeolian mode) - L17.1 - L17.2b - L17.2f non chord-tones - L10.3b non scale-tones - L2.3 - L11.3 non-stop quavers (in improvisation) - L18.4 Note names note and rest values in various languages Classical terminology for the major scale No worries at all (song) - L13.2a Now's the Time (song) - L14.2a (Down - Up - Top - Links) O. Im chord (function) - L17.2d - L20.1 Im6 chord (function) - L20.1a Im7 chord (function) - L17.2e - L20.1 ImM7 chord (function) - L20.1 off beat accents - L6.3 Oleo (song) - L11.2 - L15.3 Omnibook (of Charlie Parker) - L5.5a - L17.4 - L19.4a Opus de Funk (song) - L14.2a organ - EK.1a - EK.3 - L7.4b outside (playing 'outside') - L10.5 - L11.3 (Down - Up - Top - Links) P. Parker, Charlie - L5.5a - L11.2 - L14.2a - L17.4 - L19.4a pattern (over a scale) - L12.3a - L12.4 - L13.6 - L19.5 The Pendulum (song) - L2.2 pentatonic scale major - L5.1 - L5.4 - L5.7 minor - L6.2 - L6.4 - L8.3 Penthology (song) - L5.2 Perfect Cadence - L7.2 phrasing - Intro 2 - JamFac 1IIm7 - V7 - I phrases practice - L15.5 phrase length - L17.4 - L19.4 - L19.4a passing chords - L11.1d - L20.1 Phrygian mode - L17.1a - L17.2c piano (p - loudness) - L7.4a piano (instrument) - see keyboard pianissimo (pp - loudness) - L7.4a Pink Panther (song) - L8.2 pitch profile - L4.4 - L5.3 Plagal Cadence - L7.2 playing "outside" - L10.5 - L11.3 plurality (chord) - L9.2b - L18.1 - L18.2 - L18.2a - L18.2b - L18.3a point of sound on string instrument (guitar, bass) - L20.3d on keyboard - L20.3a primary triads - L1.1 - L3.1 progression - see chord progression (Down - Up - Top - Links) Q. qualities seventh chords - L9.1 - L10.6 triad chords - L4.1 - L4.5 quarter note - note terminology quaver - note terminology non-stop quavers (in improvisation) - L18.4 swing quavers - L12.3 triplet quavers - L12.3 - L12.3a - L12.4 - L13.3 (Down - Up - Top - Links) R. related (major or minor scale) - L17.1 response (call and .....) - L3.5 - L6.2 - L16.3 rest (in Jazz articulation) - L12.3 'Rhythm changes' - L11.2 A section - L11.2a Rhythm bridge - L11.2b - L15.3 rhythmic activity - L1.3 motif - L20.2 contrast - L4.4 surprise - L5.5 rhythm pattern - Libr 4a - L1.2a - L1.3 - L3.5a - L5.2 - L12.3 - L14.3a - L20.4a Rodgers, Richard - L20.1a Rollins, Sonny - L11.2 - L14.2a - L15.3 Roman numerals - L1.1a - chord terminology root tone (of chord) - L1.2a - L19.1 position (of chord) - L9.3 Russell, Leon - L20.1a (Down - Up - Top - Links) S. 6th and 7th (note of minor scales) - L17.1 VIm7 chord (function) - L12.1b - L17.2b VIIo triad - L4.3 - L12.1a VIIø chord - L12.1a saxophone - L8.2b - L10.6 - L20.3b alto & baritone saxophone - EK.1a - EK.5 tenor & soprano saxophone - EK.1a - EK.4 chromatic fingering - L11a.2 seventh chords - see chords dominant 7th chords major 7th chords minor 7th chords scale - see also major scale practice - L1.5 segment - L2.3 tones - L1.2a scale-tone - see also major scale chords - L4.3 - L11.2a - L12.1 - L14.1 chord progression - L13.1 - L13.1a - L14.1 chords practice - L12.4 - L13.6 diads - L19.5 terminology scales blues scale - L10.5a chromatic scale Dodecaphonic scale (chromatic scale) - L11.1a 8-note symmetric scales - L16.1 - L16.1b - L16.6 harmonic minor scale Lydian dominant scale major scale major pentatonic scale - L5.1 - L5.4 - L5.7 - L8.3 melodic minor scale minor pentatonic scale - L6.2 - L6.4 - L8.3 natural minor sale (Aeolian mode) - L17.1 - L17.2b - L17.2f Super Locrian scale - L16.5a - L20.5a whole-tone scale scale & chord practice major - L7.5 dominant - L8.5 minor - L9.5 Schönberg, Arnold - L11.1a semitone (symmetry) - L11.1 semibreve - note terminology semiquaver - note terminology short accents - L6.2a Simons, Seymour (& Gerald Marks) - L9.2 Silver, Horace - L14.2a sixteenth note - note terminology skeleton chord - L10.4 - L10.2b song format A A B A - L4.2 - L11.2 - L12.2 - L20.2 A B A - L15.2 - L17.3 A B A B - L18.3 A B A C - L9.2 - L13.2 A B C A - L7.3 A B C A B - L8.3 8 bar blues - L1.4 - L1.5a 12 bar blues - L3.1 - L3.3 - L3.5 embellished 12 bar blues - L6.1 - L10.3 - L16.2 - L19.3 blues waltz - L16.2 songs (in this course) - Libr 2 staccato - L6.2a - L12.3 - L16.3a starting point (of phrases) - L14.3 note pitch (of phrases) - L15.4 - L16.4a Straight No Chaser (song) - Intro 1a - L14.2 Street Dance (song) - L13.2a Stumpy's Blues (song) - L14.2a subdominant - note terminology - L1.1 submediant - note terminology substitution (chord) plurality - L18.2a tritone - L10.4b - L19.2 - L19.2a - L19.3a - L19.3b Sunshine Coast (Australia) - L4.2 Super Locrian scale - L16.5a - L20.5a supertonic - note terminology surprise (rhythmic) - L5.5 sustained note (dynamics) - L7.4b swapping 2s - L8.4 - L9.4a - L10.5b - L11.3a - L16.4 swapping 4s - L12.3a - L14.3a - L16.4 - L18.3b - L20.2b Swedish Pastry (song) - L14.2a Sweet Talk (song) - L18.3 Swingin' Shepherd Blues (song) - L14.2a swing quavers - L12.3 Swing Time (song) - L11.2 symmetric scales chromatic scale whole-tone scales 8-note scales symmetry - L10.1 - L10.1a - L11.1 - L16.1 - L16.6 - L19.2 syncopation - L5.2a - L5.5 - L5.5a (Down - Up - Top - Links) T. IIm7 chord (function) - L12.1b - L17.2a IIIm7 Chord (function) - L17.2c tapping the beat - L5.6 - L6.3 for triplet crotchets - L13.a technique (timing) - L20.3 Tenor Madness (song) - L14.2a tension (musical) - L7.1a harmonic - L8.1 Terminology of note names note and rest values in various languages Classical terminology for the major scale This Masquerade (song) - L20.1a tonal centre - L7.1 - L7.1a timing (of notes) - L20.3 - L20.4 - L20.4a tonality (horizontal and vertical expressions of) - L18.1a tones (guide tones) - L7.3c - L9.4a - L13.5 tonic - note terminology tonguing (wind instruments) - L20.3b Too Much (song) - L14.2 Trad Jazz - L11.1d transposing instruments - EK.1 - EK.2 C instruments (Concert pitch) - EK.1a - EK.3 Bb instruments - EK.1a - EK.4 Eb instruments - EK.1a - EK.5 transposition - L1.1c triad (chord) - L4.1 - L4.5 arpeggio - L12.4 augmented - L4.1 - L10.1a - L10.2a - L10.3b diminished major minor primary - L1.1 - L3.1 scale-tone triad - L4.3 tritone interval - L10.1a - L10.2a - L10.4a - L10.5 - L19.1a - L19.3a substitution (chord) - L10.4b - L19.2 - L19.2a - L19.3a - L19.3b voicing (chord) - L19.3a triplet quavers - L12.3 - L12.3a - L12.4 crotchets - L13.3 - L13.3b trombone - EK.1a - EK.3 trumpet - EK.1a - EK.4 turnaround - L6.1 - L7.2a (Down - Up - Top - Links) U. - V. V (chord symbols in Roman numberals) - see also I , chords and chord progressions V7 chord - see dominant 7th chord VIm7 chord (function) - L12.1b - L17.2b VIIo chord - see diminished chord VIIø chord - see half diminished chord vertical and horizontal (expressions of tonality) - L18.1a violin - EK.1a - EK.3 - L7.4b vocalist - EK.1a - EK.3 - L7.4b voicings (chord) - see Keyboard chord voicings (Up - Top - Links) W. - X. - Y. - Z. walking bass (for bass or keyboard) - L3.4 - L7.3c walking (rhythm exercise) - L13.3b waltz (Jazz) - L16.2 West Coast blues (song) - L14.2a What are You doing with the Rest of Your Life ? (song) - L20.1a Where's Woody ? (song) - L11.2 White Knight (song) - L17.3 whole note - note terminology whole-tone scale - L10.1 - L10.2 - L10.3b - L10.5 - L11.1 practice - L11.4 wind instrument - L7.4b - L20.3c transposing - EK.1a - EK.3 - EK.4 - EK.5 Winkler, Dietrich Nikolaus - L2.2b - L2a Y2K Blues (song) - L10.3 - L10.4 Subject Index Part 1 (Up - Top - Links)© 2003 Michael Furstner (Jazclass)
major scale - L1.1 - L10.1 - L12.1 - L12.1b - L13.1 - L14.1 - L14.1a diads - L19.5 note terminology practice - L1.5 - L7.5 - L12.4 - L13.6 - L14.4 - L19.5 related minor scale - L17.1 major pentatonic scale - L5.1 - L5.4 - L5.7 - L8.3 major 7th chord - L9.1 - L16.5b - L19.1 practice - L7.5 - L10.6 - L13.6 major triad - L1.1 - L3.1 - L4.1 - L4.3 practice - L4.5 - L12.4 Mancini, Henri - L8.2 Marks, Gerald (Simon & Marks) - L9.2 mediant - note terminology meditation - L7.4 melodic minor scale - L8.1a - L17.1 - L17.2g practice - L20.5 melody (improvised bridge) - L8.3 Mercer, Johnny - L13.2 - L13.2a - L19.2b Messiaen, Olivier - L10.3 - L16.1b metronome - L2a - L20.4a mezzo ( -piano, or -forte) - L7.4a midi files - Intro 4 - L7.4c Mills, Irving - L20.1a minim - note terminology minor pentatonic scale - L6.2 - L6.4 - L8.3 minor 7th chord - L9.1 - L12.1b - L17.2 - L18.1a - L19.1 - L20.1 practice - L9.5 - L10.6 - L13.6 minor Major 7th chord - L9.1a - L15.1a - L20.1 minor scales - L17.1 related major scale - L17.1 minor triad - L4.1 - L4.5 - L8.2a - L17.2d - L20.1 practice - L4.5 - L12.4 Mixolydian mode - L3.2 - L3.6 - L8.1 - L13.2a - L14.1a - L16.5a practice - L3.6 - L8.5 - L14.4 MM - L2a modal Jazz - L2.2a modes Aeolian (natural minor scale) - L12.1b - L17.1 - L17.2b - L17.2f Dorian mode Lydian - L8.1 - L18.1b Mixolydian mode Phrygian mode - L17.1a - L17.2c modulation (of harmony) - L7.1a Monk, Thelonius - L10.3 - L10.4 - L14.2 Montgomery, Wes - L14.2a Morrison, James - L20.4c motif (rhythmic) - L20.2 mouth organ - EK.1a - EK.3 - L7.4b Mulligan, Gerry - L7.4b musical forces - L7.1a My Funny Valentine (song) - L20.1a
major 7th chord - L9.1 - L16.5b - L19.1 practice - L7.5 - L10.6 - L13.6 major triad - L1.1 - L3.1 - L4.1 - L4.3 practice - L4.5 - L12.4 Mancini, Henri - L8.2 Marks, Gerald (Simon & Marks) - L9.2 mediant - note terminology meditation - L7.4 melodic minor scale - L8.1a - L17.1 - L17.2g practice - L20.5 melody (improvised bridge) - L8.3 Mercer, Johnny - L13.2 - L13.2a - L19.2b Messiaen, Olivier - L10.3 - L16.1b metronome - L2a - L20.4a mezzo ( -piano, or -forte) - L7.4a midi files - Intro 4 - L7.4c Mills, Irving - L20.1a minim - note terminology minor pentatonic scale - L6.2 - L6.4 - L8.3 minor 7th chord - L9.1 - L12.1b - L17.2 - L18.1a - L19.1 - L20.1 practice - L9.5 - L10.6 - L13.6 minor Major 7th chord - L9.1a - L15.1a - L20.1 minor scales - L17.1 related major scale - L17.1 minor triad - L4.1 - L4.5 - L8.2a - L17.2d - L20.1 practice - L4.5 - L12.4 Mixolydian mode - L3.2 - L3.6 - L8.1 - L13.2a - L14.1a - L16.5a practice - L3.6 - L8.5 - L14.4 MM - L2a modal Jazz - L2.2a modes Aeolian (natural minor scale) - L12.1b - L17.1 - L17.2b - L17.2f Dorian mode Lydian - L8.1 - L18.1b Mixolydian mode Phrygian mode - L17.1a - L17.2c modulation (of harmony) - L7.1a Monk, Thelonius - L10.3 - L10.4 - L14.2 Montgomery, Wes - L14.2a Morrison, James - L20.4c motif (rhythmic) - L20.2 mouth organ - EK.1a - EK.3 - L7.4b Mulligan, Gerry - L7.4b musical forces - L7.1a My Funny Valentine (song) - L20.1a
melodic minor scale - L8.1a - L17.1 - L17.2g practice - L20.5 melody (improvised bridge) - L8.3 Mercer, Johnny - L13.2 - L13.2a - L19.2b Messiaen, Olivier - L10.3 - L16.1b metronome - L2a - L20.4a mezzo ( -piano, or -forte) - L7.4a midi files - Intro 4 - L7.4c Mills, Irving - L20.1a minim - note terminology minor pentatonic scale - L6.2 - L6.4 - L8.3 minor 7th chord - L9.1 - L12.1b - L17.2 - L18.1a - L19.1 - L20.1 practice - L9.5 - L10.6 - L13.6 minor Major 7th chord - L9.1a - L15.1a - L20.1 minor scales - L17.1 related major scale - L17.1 minor triad - L4.1 - L4.5 - L8.2a - L17.2d - L20.1 practice - L4.5 - L12.4 Mixolydian mode - L3.2 - L3.6 - L8.1 - L13.2a - L14.1a - L16.5a practice - L3.6 - L8.5 - L14.4 MM - L2a modal Jazz - L2.2a modes Aeolian (natural minor scale) - L12.1b - L17.1 - L17.2b - L17.2f Dorian mode Lydian - L8.1 - L18.1b Mixolydian mode Phrygian mode - L17.1a - L17.2c modulation (of harmony) - L7.1a Monk, Thelonius - L10.3 - L10.4 - L14.2 Montgomery, Wes - L14.2a Morrison, James - L20.4c motif (rhythmic) - L20.2 mouth organ - EK.1a - EK.3 - L7.4b Mulligan, Gerry - L7.4b musical forces - L7.1a My Funny Valentine (song) - L20.1a
minor 7th chord - L9.1 - L12.1b - L17.2 - L18.1a - L19.1 - L20.1 practice - L9.5 - L10.6 - L13.6 minor Major 7th chord - L9.1a - L15.1a - L20.1 minor scales - L17.1 related major scale - L17.1 minor triad - L4.1 - L4.5 - L8.2a - L17.2d - L20.1 practice - L4.5 - L12.4 Mixolydian mode - L3.2 - L3.6 - L8.1 - L13.2a - L14.1a - L16.5a practice - L3.6 - L8.5 - L14.4 MM - L2a modal Jazz - L2.2a modes Aeolian (natural minor scale) - L12.1b - L17.1 - L17.2b - L17.2f Dorian mode Lydian - L8.1 - L18.1b Mixolydian mode Phrygian mode - L17.1a - L17.2c modulation (of harmony) - L7.1a Monk, Thelonius - L10.3 - L10.4 - L14.2 Montgomery, Wes - L14.2a Morrison, James - L20.4c motif (rhythmic) - L20.2 mouth organ - EK.1a - EK.3 - L7.4b Mulligan, Gerry - L7.4b musical forces - L7.1a My Funny Valentine (song) - L20.1a
minor triad - L4.1 - L4.5 - L8.2a - L17.2d - L20.1 practice - L4.5 - L12.4 Mixolydian mode - L3.2 - L3.6 - L8.1 - L13.2a - L14.1a - L16.5a practice - L3.6 - L8.5 - L14.4 MM - L2a modal Jazz - L2.2a modes Aeolian (natural minor scale) - L12.1b - L17.1 - L17.2b - L17.2f Dorian mode Lydian - L8.1 - L18.1b Mixolydian mode Phrygian mode - L17.1a - L17.2c modulation (of harmony) - L7.1a Monk, Thelonius - L10.3 - L10.4 - L14.2 Montgomery, Wes - L14.2a Morrison, James - L20.4c motif (rhythmic) - L20.2 mouth organ - EK.1a - EK.3 - L7.4b Mulligan, Gerry - L7.4b musical forces - L7.1a My Funny Valentine (song) - L20.1a
Mixolydian mode - L3.2 - L3.6 - L8.1 - L13.2a - L14.1a - L16.5a practice - L3.6 - L8.5 - L14.4 MM - L2a modal Jazz - L2.2a modes Aeolian (natural minor scale) - L12.1b - L17.1 - L17.2b - L17.2f Dorian mode Lydian - L8.1 - L18.1b Mixolydian mode Phrygian mode - L17.1a - L17.2c modulation (of harmony) - L7.1a Monk, Thelonius - L10.3 - L10.4 - L14.2 Montgomery, Wes - L14.2a Morrison, James - L20.4c motif (rhythmic) - L20.2 mouth organ - EK.1a - EK.3 - L7.4b Mulligan, Gerry - L7.4b musical forces - L7.1a My Funny Valentine (song) - L20.1a
(Down - Up - Top - Links) O. Im chord (function) - L17.2d - L20.1 Im6 chord (function) - L20.1a Im7 chord (function) - L17.2e - L20.1 ImM7 chord (function) - L20.1 off beat accents - L6.3 Oleo (song) - L11.2 - L15.3 Omnibook (of Charlie Parker) - L5.5a - L17.4 - L19.4a Opus de Funk (song) - L14.2a organ - EK.1a - EK.3 - L7.4b outside (playing 'outside') - L10.5 - L11.3 (Down - Up - Top - Links) P. Parker, Charlie - L5.5a - L11.2 - L14.2a - L17.4 - L19.4a pattern (over a scale) - L12.3a - L12.4 - L13.6 - L19.5 The Pendulum (song) - L2.2 pentatonic scale major - L5.1 - L5.4 - L5.7 minor - L6.2 - L6.4 - L8.3 Penthology (song) - L5.2 Perfect Cadence - L7.2 phrasing - Intro 2 - JamFac 1IIm7 - V7 - I phrases practice - L15.5 phrase length - L17.4 - L19.4 - L19.4a passing chords - L11.1d - L20.1 Phrygian mode - L17.1a - L17.2c piano (p - loudness) - L7.4a piano (instrument) - see keyboard pianissimo (pp - loudness) - L7.4a Pink Panther (song) - L8.2 pitch profile - L4.4 - L5.3 Plagal Cadence - L7.2 playing "outside" - L10.5 - L11.3 plurality (chord) - L9.2b - L18.1 - L18.2 - L18.2a - L18.2b - L18.3a point of sound on string instrument (guitar, bass) - L20.3d on keyboard - L20.3a primary triads - L1.1 - L3.1 progression - see chord progression (Down - Up - Top - Links) Q. qualities seventh chords - L9.1 - L10.6 triad chords - L4.1 - L4.5 quarter note - note terminology quaver - note terminology non-stop quavers (in improvisation) - L18.4 swing quavers - L12.3 triplet quavers - L12.3 - L12.3a - L12.4 - L13.3 (Down - Up - Top - Links) R. related (major or minor scale) - L17.1 response (call and .....) - L3.5 - L6.2 - L16.3 rest (in Jazz articulation) - L12.3 'Rhythm changes' - L11.2 A section - L11.2a Rhythm bridge - L11.2b - L15.3 rhythmic activity - L1.3 motif - L20.2 contrast - L4.4 surprise - L5.5 rhythm pattern - Libr 4a - L1.2a - L1.3 - L3.5a - L5.2 - L12.3 - L14.3a - L20.4a Rodgers, Richard - L20.1a Rollins, Sonny - L11.2 - L14.2a - L15.3 Roman numerals - L1.1a - chord terminology root tone (of chord) - L1.2a - L19.1 position (of chord) - L9.3 Russell, Leon - L20.1a (Down - Up - Top - Links) S. 6th and 7th (note of minor scales) - L17.1 VIm7 chord (function) - L12.1b - L17.2b VIIo triad - L4.3 - L12.1a VIIø chord - L12.1a saxophone - L8.2b - L10.6 - L20.3b alto & baritone saxophone - EK.1a - EK.5 tenor & soprano saxophone - EK.1a - EK.4 chromatic fingering - L11a.2 seventh chords - see chords dominant 7th chords major 7th chords minor 7th chords scale - see also major scale practice - L1.5 segment - L2.3 tones - L1.2a scale-tone - see also major scale chords - L4.3 - L11.2a - L12.1 - L14.1 chord progression - L13.1 - L13.1a - L14.1 chords practice - L12.4 - L13.6 diads - L19.5 terminology scales blues scale - L10.5a chromatic scale Dodecaphonic scale (chromatic scale) - L11.1a 8-note symmetric scales - L16.1 - L16.1b - L16.6 harmonic minor scale Lydian dominant scale major scale major pentatonic scale - L5.1 - L5.4 - L5.7 - L8.3 melodic minor scale minor pentatonic scale - L6.2 - L6.4 - L8.3 natural minor sale (Aeolian mode) - L17.1 - L17.2b - L17.2f Super Locrian scale - L16.5a - L20.5a whole-tone scale scale & chord practice major - L7.5 dominant - L8.5 minor - L9.5 Schönberg, Arnold - L11.1a semitone (symmetry) - L11.1 semibreve - note terminology semiquaver - note terminology short accents - L6.2a Simons, Seymour (& Gerald Marks) - L9.2 Silver, Horace - L14.2a sixteenth note - note terminology skeleton chord - L10.4 - L10.2b song format A A B A - L4.2 - L11.2 - L12.2 - L20.2 A B A - L15.2 - L17.3 A B A B - L18.3 A B A C - L9.2 - L13.2 A B C A - L7.3 A B C A B - L8.3 8 bar blues - L1.4 - L1.5a 12 bar blues - L3.1 - L3.3 - L3.5 embellished 12 bar blues - L6.1 - L10.3 - L16.2 - L19.3 blues waltz - L16.2 songs (in this course) - Libr 2 staccato - L6.2a - L12.3 - L16.3a starting point (of phrases) - L14.3 note pitch (of phrases) - L15.4 - L16.4a Straight No Chaser (song) - Intro 1a - L14.2 Street Dance (song) - L13.2a Stumpy's Blues (song) - L14.2a subdominant - note terminology - L1.1 submediant - note terminology substitution (chord) plurality - L18.2a tritone - L10.4b - L19.2 - L19.2a - L19.3a - L19.3b Sunshine Coast (Australia) - L4.2 Super Locrian scale - L16.5a - L20.5a supertonic - note terminology surprise (rhythmic) - L5.5 sustained note (dynamics) - L7.4b swapping 2s - L8.4 - L9.4a - L10.5b - L11.3a - L16.4 swapping 4s - L12.3a - L14.3a - L16.4 - L18.3b - L20.2b Swedish Pastry (song) - L14.2a Sweet Talk (song) - L18.3 Swingin' Shepherd Blues (song) - L14.2a swing quavers - L12.3 Swing Time (song) - L11.2 symmetric scales chromatic scale whole-tone scales 8-note scales symmetry - L10.1 - L10.1a - L11.1 - L16.1 - L16.6 - L19.2 syncopation - L5.2a - L5.5 - L5.5a (Down - Up - Top - Links) T. IIm7 chord (function) - L12.1b - L17.2a IIIm7 Chord (function) - L17.2c tapping the beat - L5.6 - L6.3 for triplet crotchets - L13.a technique (timing) - L20.3 Tenor Madness (song) - L14.2a tension (musical) - L7.1a harmonic - L8.1 Terminology of note names note and rest values in various languages Classical terminology for the major scale This Masquerade (song) - L20.1a tonal centre - L7.1 - L7.1a timing (of notes) - L20.3 - L20.4 - L20.4a tonality (horizontal and vertical expressions of) - L18.1a tones (guide tones) - L7.3c - L9.4a - L13.5 tonic - note terminology tonguing (wind instruments) - L20.3b Too Much (song) - L14.2 Trad Jazz - L11.1d transposing instruments - EK.1 - EK.2 C instruments (Concert pitch) - EK.1a - EK.3 Bb instruments - EK.1a - EK.4 Eb instruments - EK.1a - EK.5 transposition - L1.1c triad (chord) - L4.1 - L4.5 arpeggio - L12.4 augmented - L4.1 - L10.1a - L10.2a - L10.3b diminished major minor primary - L1.1 - L3.1 scale-tone triad - L4.3 tritone interval - L10.1a - L10.2a - L10.4a - L10.5 - L19.1a - L19.3a substitution (chord) - L10.4b - L19.2 - L19.2a - L19.3a - L19.3b voicing (chord) - L19.3a triplet quavers - L12.3 - L12.3a - L12.4 crotchets - L13.3 - L13.3b trombone - EK.1a - EK.3 trumpet - EK.1a - EK.4 turnaround - L6.1 - L7.2a (Down - Up - Top - Links) U. - V. V (chord symbols in Roman numberals) - see also I , chords and chord progressions V7 chord - see dominant 7th chord VIm7 chord (function) - L12.1b - L17.2b VIIo chord - see diminished chord VIIø chord - see half diminished chord vertical and horizontal (expressions of tonality) - L18.1a violin - EK.1a - EK.3 - L7.4b vocalist - EK.1a - EK.3 - L7.4b voicings (chord) - see Keyboard chord voicings (Up - Top - Links) W. - X. - Y. - Z. walking bass (for bass or keyboard) - L3.4 - L7.3c walking (rhythm exercise) - L13.3b waltz (Jazz) - L16.2 West Coast blues (song) - L14.2a What are You doing with the Rest of Your Life ? (song) - L20.1a Where's Woody ? (song) - L11.2 White Knight (song) - L17.3 whole note - note terminology whole-tone scale - L10.1 - L10.2 - L10.3b - L10.5 - L11.1 practice - L11.4 wind instrument - L7.4b - L20.3c transposing - EK.1a - EK.3 - EK.4 - EK.5 Winkler, Dietrich Nikolaus - L2.2b - L2a Y2K Blues (song) - L10.3 - L10.4 Subject Index Part 1 (Up - Top - Links)© 2003 Michael Furstner (Jazclass)
(Down - Up - Top - Links) P. Parker, Charlie - L5.5a - L11.2 - L14.2a - L17.4 - L19.4a pattern (over a scale) - L12.3a - L12.4 - L13.6 - L19.5 The Pendulum (song) - L2.2 pentatonic scale major - L5.1 - L5.4 - L5.7 minor - L6.2 - L6.4 - L8.3 Penthology (song) - L5.2 Perfect Cadence - L7.2 phrasing - Intro 2 - JamFac 1IIm7 - V7 - I phrases practice - L15.5 phrase length - L17.4 - L19.4 - L19.4a passing chords - L11.1d - L20.1 Phrygian mode - L17.1a - L17.2c piano (p - loudness) - L7.4a piano (instrument) - see keyboard pianissimo (pp - loudness) - L7.4a Pink Panther (song) - L8.2 pitch profile - L4.4 - L5.3 Plagal Cadence - L7.2 playing "outside" - L10.5 - L11.3 plurality (chord) - L9.2b - L18.1 - L18.2 - L18.2a - L18.2b - L18.3a point of sound on string instrument (guitar, bass) - L20.3d on keyboard - L20.3a primary triads - L1.1 - L3.1 progression - see chord progression (Down - Up - Top - Links) Q. qualities seventh chords - L9.1 - L10.6 triad chords - L4.1 - L4.5 quarter note - note terminology quaver - note terminology non-stop quavers (in improvisation) - L18.4 swing quavers - L12.3 triplet quavers - L12.3 - L12.3a - L12.4 - L13.3 (Down - Up - Top - Links) R. related (major or minor scale) - L17.1 response (call and .....) - L3.5 - L6.2 - L16.3 rest (in Jazz articulation) - L12.3 'Rhythm changes' - L11.2 A section - L11.2a Rhythm bridge - L11.2b - L15.3 rhythmic activity - L1.3 motif - L20.2 contrast - L4.4 surprise - L5.5 rhythm pattern - Libr 4a - L1.2a - L1.3 - L3.5a - L5.2 - L12.3 - L14.3a - L20.4a Rodgers, Richard - L20.1a Rollins, Sonny - L11.2 - L14.2a - L15.3 Roman numerals - L1.1a - chord terminology root tone (of chord) - L1.2a - L19.1 position (of chord) - L9.3 Russell, Leon - L20.1a (Down - Up - Top - Links) S. 6th and 7th (note of minor scales) - L17.1 VIm7 chord (function) - L12.1b - L17.2b VIIo triad - L4.3 - L12.1a VIIø chord - L12.1a saxophone - L8.2b - L10.6 - L20.3b alto & baritone saxophone - EK.1a - EK.5 tenor & soprano saxophone - EK.1a - EK.4 chromatic fingering - L11a.2 seventh chords - see chords dominant 7th chords major 7th chords minor 7th chords scale - see also major scale practice - L1.5 segment - L2.3 tones - L1.2a scale-tone - see also major scale chords - L4.3 - L11.2a - L12.1 - L14.1 chord progression - L13.1 - L13.1a - L14.1 chords practice - L12.4 - L13.6 diads - L19.5 terminology scales blues scale - L10.5a chromatic scale Dodecaphonic scale (chromatic scale) - L11.1a 8-note symmetric scales - L16.1 - L16.1b - L16.6 harmonic minor scale Lydian dominant scale major scale major pentatonic scale - L5.1 - L5.4 - L5.7 - L8.3 melodic minor scale minor pentatonic scale - L6.2 - L6.4 - L8.3 natural minor sale (Aeolian mode) - L17.1 - L17.2b - L17.2f Super Locrian scale - L16.5a - L20.5a whole-tone scale scale & chord practice major - L7.5 dominant - L8.5 minor - L9.5 Schönberg, Arnold - L11.1a semitone (symmetry) - L11.1 semibreve - note terminology semiquaver - note terminology short accents - L6.2a Simons, Seymour (& Gerald Marks) - L9.2 Silver, Horace - L14.2a sixteenth note - note terminology skeleton chord - L10.4 - L10.2b song format A A B A - L4.2 - L11.2 - L12.2 - L20.2 A B A - L15.2 - L17.3 A B A B - L18.3 A B A C - L9.2 - L13.2 A B C A - L7.3 A B C A B - L8.3 8 bar blues - L1.4 - L1.5a 12 bar blues - L3.1 - L3.3 - L3.5 embellished 12 bar blues - L6.1 - L10.3 - L16.2 - L19.3 blues waltz - L16.2 songs (in this course) - Libr 2 staccato - L6.2a - L12.3 - L16.3a starting point (of phrases) - L14.3 note pitch (of phrases) - L15.4 - L16.4a Straight No Chaser (song) - Intro 1a - L14.2 Street Dance (song) - L13.2a Stumpy's Blues (song) - L14.2a subdominant - note terminology - L1.1 submediant - note terminology substitution (chord) plurality - L18.2a tritone - L10.4b - L19.2 - L19.2a - L19.3a - L19.3b Sunshine Coast (Australia) - L4.2 Super Locrian scale - L16.5a - L20.5a supertonic - note terminology surprise (rhythmic) - L5.5 sustained note (dynamics) - L7.4b swapping 2s - L8.4 - L9.4a - L10.5b - L11.3a - L16.4 swapping 4s - L12.3a - L14.3a - L16.4 - L18.3b - L20.2b Swedish Pastry (song) - L14.2a Sweet Talk (song) - L18.3 Swingin' Shepherd Blues (song) - L14.2a swing quavers - L12.3 Swing Time (song) - L11.2 symmetric scales chromatic scale whole-tone scales 8-note scales symmetry - L10.1 - L10.1a - L11.1 - L16.1 - L16.6 - L19.2 syncopation - L5.2a - L5.5 - L5.5a (Down - Up - Top - Links) T. IIm7 chord (function) - L12.1b - L17.2a IIIm7 Chord (function) - L17.2c tapping the beat - L5.6 - L6.3 for triplet crotchets - L13.a technique (timing) - L20.3 Tenor Madness (song) - L14.2a tension (musical) - L7.1a harmonic - L8.1 Terminology of note names note and rest values in various languages Classical terminology for the major scale This Masquerade (song) - L20.1a tonal centre - L7.1 - L7.1a timing (of notes) - L20.3 - L20.4 - L20.4a tonality (horizontal and vertical expressions of) - L18.1a tones (guide tones) - L7.3c - L9.4a - L13.5 tonic - note terminology tonguing (wind instruments) - L20.3b Too Much (song) - L14.2 Trad Jazz - L11.1d transposing instruments - EK.1 - EK.2 C instruments (Concert pitch) - EK.1a - EK.3 Bb instruments - EK.1a - EK.4 Eb instruments - EK.1a - EK.5 transposition - L1.1c triad (chord) - L4.1 - L4.5 arpeggio - L12.4 augmented - L4.1 - L10.1a - L10.2a - L10.3b diminished major minor primary - L1.1 - L3.1 scale-tone triad - L4.3 tritone interval - L10.1a - L10.2a - L10.4a - L10.5 - L19.1a - L19.3a substitution (chord) - L10.4b - L19.2 - L19.2a - L19.3a - L19.3b voicing (chord) - L19.3a triplet quavers - L12.3 - L12.3a - L12.4 crotchets - L13.3 - L13.3b trombone - EK.1a - EK.3 trumpet - EK.1a - EK.4 turnaround - L6.1 - L7.2a (Down - Up - Top - Links) U. - V. V (chord symbols in Roman numberals) - see also I , chords and chord progressions V7 chord - see dominant 7th chord VIm7 chord (function) - L12.1b - L17.2b VIIo chord - see diminished chord VIIø chord - see half diminished chord vertical and horizontal (expressions of tonality) - L18.1a violin - EK.1a - EK.3 - L7.4b vocalist - EK.1a - EK.3 - L7.4b voicings (chord) - see Keyboard chord voicings (Up - Top - Links) W. - X. - Y. - Z. walking bass (for bass or keyboard) - L3.4 - L7.3c walking (rhythm exercise) - L13.3b waltz (Jazz) - L16.2 West Coast blues (song) - L14.2a What are You doing with the Rest of Your Life ? (song) - L20.1a Where's Woody ? (song) - L11.2 White Knight (song) - L17.3 whole note - note terminology whole-tone scale - L10.1 - L10.2 - L10.3b - L10.5 - L11.1 practice - L11.4 wind instrument - L7.4b - L20.3c transposing - EK.1a - EK.3 - EK.4 - EK.5 Winkler, Dietrich Nikolaus - L2.2b - L2a Y2K Blues (song) - L10.3 - L10.4 Subject Index Part 1 (Up - Top - Links)© 2003 Michael Furstner (Jazclass)
(Down - Up - Top - Links) Q. qualities seventh chords - L9.1 - L10.6 triad chords - L4.1 - L4.5 quarter note - note terminology quaver - note terminology non-stop quavers (in improvisation) - L18.4 swing quavers - L12.3 triplet quavers - L12.3 - L12.3a - L12.4 - L13.3 (Down - Up - Top - Links) R. related (major or minor scale) - L17.1 response (call and .....) - L3.5 - L6.2 - L16.3 rest (in Jazz articulation) - L12.3 'Rhythm changes' - L11.2 A section - L11.2a Rhythm bridge - L11.2b - L15.3 rhythmic activity - L1.3 motif - L20.2 contrast - L4.4 surprise - L5.5 rhythm pattern - Libr 4a - L1.2a - L1.3 - L3.5a - L5.2 - L12.3 - L14.3a - L20.4a Rodgers, Richard - L20.1a Rollins, Sonny - L11.2 - L14.2a - L15.3 Roman numerals - L1.1a - chord terminology root tone (of chord) - L1.2a - L19.1 position (of chord) - L9.3 Russell, Leon - L20.1a (Down - Up - Top - Links) S. 6th and 7th (note of minor scales) - L17.1 VIm7 chord (function) - L12.1b - L17.2b VIIo triad - L4.3 - L12.1a VIIø chord - L12.1a saxophone - L8.2b - L10.6 - L20.3b alto & baritone saxophone - EK.1a - EK.5 tenor & soprano saxophone - EK.1a - EK.4 chromatic fingering - L11a.2 seventh chords - see chords dominant 7th chords major 7th chords minor 7th chords scale - see also major scale practice - L1.5 segment - L2.3 tones - L1.2a scale-tone - see also major scale chords - L4.3 - L11.2a - L12.1 - L14.1 chord progression - L13.1 - L13.1a - L14.1 chords practice - L12.4 - L13.6 diads - L19.5 terminology scales blues scale - L10.5a chromatic scale Dodecaphonic scale (chromatic scale) - L11.1a 8-note symmetric scales - L16.1 - L16.1b - L16.6 harmonic minor scale Lydian dominant scale major scale major pentatonic scale - L5.1 - L5.4 - L5.7 - L8.3 melodic minor scale minor pentatonic scale - L6.2 - L6.4 - L8.3 natural minor sale (Aeolian mode) - L17.1 - L17.2b - L17.2f Super Locrian scale - L16.5a - L20.5a whole-tone scale scale & chord practice major - L7.5 dominant - L8.5 minor - L9.5 Schönberg, Arnold - L11.1a semitone (symmetry) - L11.1 semibreve - note terminology semiquaver - note terminology short accents - L6.2a Simons, Seymour (& Gerald Marks) - L9.2 Silver, Horace - L14.2a sixteenth note - note terminology skeleton chord - L10.4 - L10.2b song format A A B A - L4.2 - L11.2 - L12.2 - L20.2 A B A - L15.2 - L17.3 A B A B - L18.3 A B A C - L9.2 - L13.2 A B C A - L7.3 A B C A B - L8.3 8 bar blues - L1.4 - L1.5a 12 bar blues - L3.1 - L3.3 - L3.5 embellished 12 bar blues - L6.1 - L10.3 - L16.2 - L19.3 blues waltz - L16.2 songs (in this course) - Libr 2 staccato - L6.2a - L12.3 - L16.3a starting point (of phrases) - L14.3 note pitch (of phrases) - L15.4 - L16.4a Straight No Chaser (song) - Intro 1a - L14.2 Street Dance (song) - L13.2a Stumpy's Blues (song) - L14.2a subdominant - note terminology - L1.1 submediant - note terminology substitution (chord) plurality - L18.2a tritone - L10.4b - L19.2 - L19.2a - L19.3a - L19.3b Sunshine Coast (Australia) - L4.2 Super Locrian scale - L16.5a - L20.5a supertonic - note terminology surprise (rhythmic) - L5.5 sustained note (dynamics) - L7.4b swapping 2s - L8.4 - L9.4a - L10.5b - L11.3a - L16.4 swapping 4s - L12.3a - L14.3a - L16.4 - L18.3b - L20.2b Swedish Pastry (song) - L14.2a Sweet Talk (song) - L18.3 Swingin' Shepherd Blues (song) - L14.2a swing quavers - L12.3 Swing Time (song) - L11.2 symmetric scales chromatic scale whole-tone scales 8-note scales symmetry - L10.1 - L10.1a - L11.1 - L16.1 - L16.6 - L19.2 syncopation - L5.2a - L5.5 - L5.5a (Down - Up - Top - Links) T. IIm7 chord (function) - L12.1b - L17.2a IIIm7 Chord (function) - L17.2c tapping the beat - L5.6 - L6.3 for triplet crotchets - L13.a technique (timing) - L20.3 Tenor Madness (song) - L14.2a tension (musical) - L7.1a harmonic - L8.1 Terminology of note names note and rest values in various languages Classical terminology for the major scale This Masquerade (song) - L20.1a tonal centre - L7.1 - L7.1a timing (of notes) - L20.3 - L20.4 - L20.4a tonality (horizontal and vertical expressions of) - L18.1a tones (guide tones) - L7.3c - L9.4a - L13.5 tonic - note terminology tonguing (wind instruments) - L20.3b Too Much (song) - L14.2 Trad Jazz - L11.1d transposing instruments - EK.1 - EK.2 C instruments (Concert pitch) - EK.1a - EK.3 Bb instruments - EK.1a - EK.4 Eb instruments - EK.1a - EK.5 transposition - L1.1c triad (chord) - L4.1 - L4.5 arpeggio - L12.4 augmented - L4.1 - L10.1a - L10.2a - L10.3b diminished major minor primary - L1.1 - L3.1 scale-tone triad - L4.3 tritone interval - L10.1a - L10.2a - L10.4a - L10.5 - L19.1a - L19.3a substitution (chord) - L10.4b - L19.2 - L19.2a - L19.3a - L19.3b voicing (chord) - L19.3a triplet quavers - L12.3 - L12.3a - L12.4 crotchets - L13.3 - L13.3b trombone - EK.1a - EK.3 trumpet - EK.1a - EK.4 turnaround - L6.1 - L7.2a (Down - Up - Top - Links) U. - V. V (chord symbols in Roman numberals) - see also I , chords and chord progressions V7 chord - see dominant 7th chord VIm7 chord (function) - L12.1b - L17.2b VIIo chord - see diminished chord VIIø chord - see half diminished chord vertical and horizontal (expressions of tonality) - L18.1a violin - EK.1a - EK.3 - L7.4b vocalist - EK.1a - EK.3 - L7.4b voicings (chord) - see Keyboard chord voicings (Up - Top - Links) W. - X. - Y. - Z. walking bass (for bass or keyboard) - L3.4 - L7.3c walking (rhythm exercise) - L13.3b waltz (Jazz) - L16.2 West Coast blues (song) - L14.2a What are You doing with the Rest of Your Life ? (song) - L20.1a Where's Woody ? (song) - L11.2 White Knight (song) - L17.3 whole note - note terminology whole-tone scale - L10.1 - L10.2 - L10.3b - L10.5 - L11.1 practice - L11.4 wind instrument - L7.4b - L20.3c transposing - EK.1a - EK.3 - EK.4 - EK.5 Winkler, Dietrich Nikolaus - L2.2b - L2a Y2K Blues (song) - L10.3 - L10.4 Subject Index Part 1 (Up - Top - Links)© 2003 Michael Furstner (Jazclass)
(Down - Up - Top - Links) S. 6th and 7th (note of minor scales) - L17.1 VIm7 chord (function) - L12.1b - L17.2b VIIo triad - L4.3 - L12.1a VIIø chord - L12.1a saxophone - L8.2b - L10.6 - L20.3b alto & baritone saxophone - EK.1a - EK.5 tenor & soprano saxophone - EK.1a - EK.4 chromatic fingering - L11a.2 seventh chords - see chords dominant 7th chords major 7th chords minor 7th chords scale - see also major scale practice - L1.5 segment - L2.3 tones - L1.2a scale-tone - see also major scale chords - L4.3 - L11.2a - L12.1 - L14.1 chord progression - L13.1 - L13.1a - L14.1 chords practice - L12.4 - L13.6 diads - L19.5 terminology scales blues scale - L10.5a chromatic scale Dodecaphonic scale (chromatic scale) - L11.1a 8-note symmetric scales - L16.1 - L16.1b - L16.6 harmonic minor scale Lydian dominant scale major scale major pentatonic scale - L5.1 - L5.4 - L5.7 - L8.3 melodic minor scale minor pentatonic scale - L6.2 - L6.4 - L8.3 natural minor sale (Aeolian mode) - L17.1 - L17.2b - L17.2f Super Locrian scale - L16.5a - L20.5a whole-tone scale scale & chord practice major - L7.5 dominant - L8.5 minor - L9.5 Schönberg, Arnold - L11.1a semitone (symmetry) - L11.1 semibreve - note terminology semiquaver - note terminology short accents - L6.2a Simons, Seymour (& Gerald Marks) - L9.2 Silver, Horace - L14.2a sixteenth note - note terminology skeleton chord - L10.4 - L10.2b song format A A B A - L4.2 - L11.2 - L12.2 - L20.2 A B A - L15.2 - L17.3 A B A B - L18.3 A B A C - L9.2 - L13.2 A B C A - L7.3 A B C A B - L8.3 8 bar blues - L1.4 - L1.5a 12 bar blues - L3.1 - L3.3 - L3.5 embellished 12 bar blues - L6.1 - L10.3 - L16.2 - L19.3 blues waltz - L16.2 songs (in this course) - Libr 2 staccato - L6.2a - L12.3 - L16.3a starting point (of phrases) - L14.3 note pitch (of phrases) - L15.4 - L16.4a Straight No Chaser (song) - Intro 1a - L14.2 Street Dance (song) - L13.2a Stumpy's Blues (song) - L14.2a subdominant - note terminology - L1.1 submediant - note terminology substitution (chord) plurality - L18.2a tritone - L10.4b - L19.2 - L19.2a - L19.3a - L19.3b Sunshine Coast (Australia) - L4.2 Super Locrian scale - L16.5a - L20.5a supertonic - note terminology surprise (rhythmic) - L5.5 sustained note (dynamics) - L7.4b swapping 2s - L8.4 - L9.4a - L10.5b - L11.3a - L16.4 swapping 4s - L12.3a - L14.3a - L16.4 - L18.3b - L20.2b Swedish Pastry (song) - L14.2a Sweet Talk (song) - L18.3 Swingin' Shepherd Blues (song) - L14.2a swing quavers - L12.3 Swing Time (song) - L11.2 symmetric scales chromatic scale whole-tone scales 8-note scales symmetry - L10.1 - L10.1a - L11.1 - L16.1 - L16.6 - L19.2 syncopation - L5.2a - L5.5 - L5.5a (Down - Up - Top - Links) T. IIm7 chord (function) - L12.1b - L17.2a IIIm7 Chord (function) - L17.2c tapping the beat - L5.6 - L6.3 for triplet crotchets - L13.a technique (timing) - L20.3 Tenor Madness (song) - L14.2a tension (musical) - L7.1a harmonic - L8.1 Terminology of note names note and rest values in various languages Classical terminology for the major scale This Masquerade (song) - L20.1a tonal centre - L7.1 - L7.1a timing (of notes) - L20.3 - L20.4 - L20.4a tonality (horizontal and vertical expressions of) - L18.1a tones (guide tones) - L7.3c - L9.4a - L13.5 tonic - note terminology tonguing (wind instruments) - L20.3b Too Much (song) - L14.2 Trad Jazz - L11.1d transposing instruments - EK.1 - EK.2 C instruments (Concert pitch) - EK.1a - EK.3 Bb instruments - EK.1a - EK.4 Eb instruments - EK.1a - EK.5 transposition - L1.1c triad (chord) - L4.1 - L4.5 arpeggio - L12.4 augmented - L4.1 - L10.1a - L10.2a - L10.3b diminished major minor primary - L1.1 - L3.1 scale-tone triad - L4.3 tritone interval - L10.1a - L10.2a - L10.4a - L10.5 - L19.1a - L19.3a substitution (chord) - L10.4b - L19.2 - L19.2a - L19.3a - L19.3b voicing (chord) - L19.3a triplet quavers - L12.3 - L12.3a - L12.4 crotchets - L13.3 - L13.3b trombone - EK.1a - EK.3 trumpet - EK.1a - EK.4 turnaround - L6.1 - L7.2a (Down - Up - Top - Links) U. - V. V (chord symbols in Roman numberals) - see also I , chords and chord progressions V7 chord - see dominant 7th chord VIm7 chord (function) - L12.1b - L17.2b VIIo chord - see diminished chord VIIø chord - see half diminished chord vertical and horizontal (expressions of tonality) - L18.1a violin - EK.1a - EK.3 - L7.4b vocalist - EK.1a - EK.3 - L7.4b voicings (chord) - see Keyboard chord voicings (Up - Top - Links) W. - X. - Y. - Z. walking bass (for bass or keyboard) - L3.4 - L7.3c walking (rhythm exercise) - L13.3b waltz (Jazz) - L16.2 West Coast blues (song) - L14.2a What are You doing with the Rest of Your Life ? (song) - L20.1a Where's Woody ? (song) - L11.2 White Knight (song) - L17.3 whole note - note terminology whole-tone scale - L10.1 - L10.2 - L10.3b - L10.5 - L11.1 practice - L11.4 wind instrument - L7.4b - L20.3c transposing - EK.1a - EK.3 - EK.4 - EK.5 Winkler, Dietrich Nikolaus - L2.2b - L2a Y2K Blues (song) - L10.3 - L10.4 Subject Index Part 1 (Up - Top - Links)© 2003 Michael Furstner (Jazclass)
(Down - Up - Top - Links) T. IIm7 chord (function) - L12.1b - L17.2a IIIm7 Chord (function) - L17.2c tapping the beat - L5.6 - L6.3 for triplet crotchets - L13.a technique (timing) - L20.3 Tenor Madness (song) - L14.2a tension (musical) - L7.1a harmonic - L8.1 Terminology of note names note and rest values in various languages Classical terminology for the major scale This Masquerade (song) - L20.1a tonal centre - L7.1 - L7.1a timing (of notes) - L20.3 - L20.4 - L20.4a tonality (horizontal and vertical expressions of) - L18.1a tones (guide tones) - L7.3c - L9.4a - L13.5 tonic - note terminology tonguing (wind instruments) - L20.3b Too Much (song) - L14.2 Trad Jazz - L11.1d transposing instruments - EK.1 - EK.2 C instruments (Concert pitch) - EK.1a - EK.3 Bb instruments - EK.1a - EK.4 Eb instruments - EK.1a - EK.5 transposition - L1.1c triad (chord) - L4.1 - L4.5 arpeggio - L12.4 augmented - L4.1 - L10.1a - L10.2a - L10.3b diminished major minor primary - L1.1 - L3.1 scale-tone triad - L4.3 tritone interval - L10.1a - L10.2a - L10.4a - L10.5 - L19.1a - L19.3a substitution (chord) - L10.4b - L19.2 - L19.2a - L19.3a - L19.3b voicing (chord) - L19.3a triplet quavers - L12.3 - L12.3a - L12.4 crotchets - L13.3 - L13.3b trombone - EK.1a - EK.3 trumpet - EK.1a - EK.4 turnaround - L6.1 - L7.2a (Down - Up - Top - Links) U. - V. V (chord symbols in Roman numberals) - see also I , chords and chord progressions V7 chord - see dominant 7th chord VIm7 chord (function) - L12.1b - L17.2b VIIo chord - see diminished chord VIIø chord - see half diminished chord vertical and horizontal (expressions of tonality) - L18.1a violin - EK.1a - EK.3 - L7.4b vocalist - EK.1a - EK.3 - L7.4b voicings (chord) - see Keyboard chord voicings (Up - Top - Links) W. - X. - Y. - Z. walking bass (for bass or keyboard) - L3.4 - L7.3c walking (rhythm exercise) - L13.3b waltz (Jazz) - L16.2 West Coast blues (song) - L14.2a What are You doing with the Rest of Your Life ? (song) - L20.1a Where's Woody ? (song) - L11.2 White Knight (song) - L17.3 whole note - note terminology whole-tone scale - L10.1 - L10.2 - L10.3b - L10.5 - L11.1 practice - L11.4 wind instrument - L7.4b - L20.3c transposing - EK.1a - EK.3 - EK.4 - EK.5 Winkler, Dietrich Nikolaus - L2.2b - L2a Y2K Blues (song) - L10.3 - L10.4 Subject Index Part 1 (Up - Top - Links)© 2003 Michael Furstner (Jazclass)
(Down - Up - Top - Links) U. - V. V (chord symbols in Roman numberals) - see also I , chords and chord progressions V7 chord - see dominant 7th chord VIm7 chord (function) - L12.1b - L17.2b VIIo chord - see diminished chord VIIø chord - see half diminished chord vertical and horizontal (expressions of tonality) - L18.1a violin - EK.1a - EK.3 - L7.4b vocalist - EK.1a - EK.3 - L7.4b voicings (chord) - see Keyboard chord voicings (Up - Top - Links) W. - X. - Y. - Z. walking bass (for bass or keyboard) - L3.4 - L7.3c walking (rhythm exercise) - L13.3b waltz (Jazz) - L16.2 West Coast blues (song) - L14.2a What are You doing with the Rest of Your Life ? (song) - L20.1a Where's Woody ? (song) - L11.2 White Knight (song) - L17.3 whole note - note terminology whole-tone scale - L10.1 - L10.2 - L10.3b - L10.5 - L11.1 practice - L11.4 wind instrument - L7.4b - L20.3c transposing - EK.1a - EK.3 - EK.4 - EK.5 Winkler, Dietrich Nikolaus - L2.2b - L2a Y2K Blues (song) - L10.3 - L10.4 Subject Index Part 1 (Up - Top - Links)© 2003 Michael Furstner (Jazclass)
(Up - Top - Links) W. - X. - Y. - Z. walking bass (for bass or keyboard) - L3.4 - L7.3c walking (rhythm exercise) - L13.3b waltz (Jazz) - L16.2 West Coast blues (song) - L14.2a What are You doing with the Rest of Your Life ? (song) - L20.1a Where's Woody ? (song) - L11.2 White Knight (song) - L17.3 whole note - note terminology whole-tone scale - L10.1 - L10.2 - L10.3b - L10.5 - L11.1 practice - L11.4 wind instrument - L7.4b - L20.3c transposing - EK.1a - EK.3 - EK.4 - EK.5 Winkler, Dietrich Nikolaus - L2.2b - L2a Y2K Blues (song) - L10.3 - L10.4 Subject Index Part 1 (Up - Top - Links)© 2003 Michael Furstner (Jazclass)
whole-tone scale - L10.1 - L10.2 - L10.3b - L10.5 - L11.1 practice - L11.4 wind instrument - L7.4b - L20.3c transposing - EK.1a - EK.3 - EK.4 - EK.5 Winkler, Dietrich Nikolaus - L2.2b - L2a Y2K Blues (song) - L10.3 - L10.4
Subject Index Part 1 (Up - Top - Links)© 2003 Michael Furstner (Jazclass)
