A - B - C - D - E - F
G - H - I - J - K - L
M - N - O - P - Q - R
S - T - U - V - WX - YZ
Lesson : Intro | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | ??
(Down - Up - Top - Links) R. rail side rail (of mouthpiece) - L3.1 tip rail (of mouthpiece) - L3.1 - L3.4 reed - general - L3.2 alignment to body axis - L2.2b altissimo register (for soprano sax) - L10.5a articulation L7.1 - L7.2 - L7.2a - L7.3 assembly on mouthpiece - L3.4 brands - L3.2a cut - L3.4 obedient reed - L1.1a for Overtone practice - L6a.1a LaVoz - L3.3a selection - L3.3 stiffness Classification Table - L3.2a registers definition - L6.1 oral tract - L6.3 - L6.3a saxophone - L6.1a vocal - L6.2 - L6.2a resonator of the saxophone - L1.1 of the body - L1.2 resonator control - L1.1a rest breathing during a rest - L7.5a holding the breath during a rest - L7.5b Rico reed - L3.2a - L3.3 Rovner ligature - L3.4 (Down - Up - Top - Links) S. saxophone acoustic system - L6cl.1 baritone - L3.3a doubling of instruments - L10.8 harness - L2.2 - Klondyke harness how to hold the saxophone - L2.2 Overtones in lower, middle, Upper and Altissimo registers - L5.4a reed angle - L2.3 registers - L6.1a resonator - L1.1 scales chromatic - L8.5 - L8.4a harmonic minor scale in all keys - L10.7 - Notation : part 1 - Notation : part 2 major pentatonic scale in all keys - L10.7 - Notation : part 1 - Notation : part 2 major scale - L4.7 major scale fingering in all keys - L8.6 - Notation : part 1 - Notation : part 2 major scale practice - L1.6 - L4.7 - L8.6 major scale patterns - L10.7d practice schedule - L10.7 - L10.7c other scales - L10.7e slurred tones exercise - L1.6 whole-tone scale - L4.6 - Tone Exercise 1a - Tone Exercise 1b Selmer - mouthpiece L3.1a - L3.3 - L3.3a semibreve - note names semiquaver - note names seventh chords - L10.7d Practice Routines seventh chords in all keys - part 1 - part 2 shoulders posture - L2.1 - L2.2a when breathing in - L4.2 side keys side key Bb action - L2.5 side key C action - L2.5 side key high E action - L2.5 side rail (of mouthpiece) - L3.1 singers (oral tract) - L6a.2 organic imagery - L9.1 - L9.2 - L9.3 breathing (organic imagery) - L9.5 slurred practice of scales - L1.6 - L8.6 tone and Overtone practice - L7.4b articulation patterns - Articulation Exercise 8 soft palate Diagram - L6.5 - L6.5b in organic imagery - L9.2c movement in voicing - L6.5a organic imagery - L9.3 - L9.3a songs - all song files soprano sax altissimo register - L10.5a Bell Register - L6.3c doubling of instruments - L10.8 mouthpiece pitch - L3.8 - QA3.e transition point to Head Register - L6.6a Overtones 1 to 16 - L6.6b speech improvement through Overtone practice - L6a.1b squeak - breaking into Head Register L6.4 staccato articulation - L7.6 stomach breathing in - L4.2 blowing (breathing out) - L4.2a in breathing exercise - L4.3 muscles in articulation - L7.1 Strolling with You (song) - L4.8 (Down - Up - Top - Links) T. teethposition of upper teeth - L2.2c - L3.5 tenor sax mouthpiece pitch - L3.8 - QA3.e transition point to Head Register - L6.6a Overtones 1 to 16 - L6.6b There's Always a Way - L8.5a throat articulation - L7.1a - L7.2a - L7.3 in breathing exercise - L4.3 sore throat in Overtone practice - L6a.1b legato tonguing - L7.5 organic imagery - L9.3 - L9.3a shapes when voicing - L5.1a sizes for various note pitches - L6.3b thumb function for sax alignment - L2.2b left thumb action - L2.4a - QA2.G left thumb position - L2.4 timbre change through tongue movement - L9.6b Overtones - L5.2a of an instrument - L5.2a timing (and articulation) - L7.7 tip rail (of mouthpiece) - L3.1 - L3.4 tone and articulation and timing (TAT) - L7.7 articulation practice - L7.4a Exercises 1 - L4.6 Exercises 2 & 3 - L8.8 Exercises 4 & 5 - L9.5 - L9.8 practice schedule - L10.7 - L10.7b tone projection - L9.4 tone centre - in organic imagery - L9.2 tongue articulation - L7.1 - L7.2 - L7.3 - L7.4 - L7.4a double tonguing - L7.1a experiment - L9.6b function in voicing - L6.5 - L6.5a - L6.5b in breathing exercise - L4.3 legato tonguing - L7.5 long tong (articulation) -L7.2 - L7.2a organic imagery - L9.3 - L9.3a short tong (articulation) -L7.2 - L7.2a shapes when voicing - L5.1a tongue vibrato - L10.4 vowels (tongue shapes for voicing) - L9.6 - L9.6b trachea - L6.5 - L6.5b transposing instruments - Intro 7 Transposition Table triad chords - L10.7d Practice Routines triad chords in all keys - part 1 - part 2 "tukutuku" (vocalisation) - L7.1a tuning the saxophone - L3.4a (Down - Up - Top - Links) U. upper lip - position for embouchure - QA3.B uvula - L6.5 - L6.5a - L6.5b (Down - Up - Top - Links) V. Vandoren - Company Classique (reed classification) - L3.2 Java (reed classification) - L3.2 vibrato (general) - L10.1 amplitude - L10.3b embouchure (Jaw vibrato) - L10.2 exercises - L10.3 frequency - L10.1a - L10.3b jaw vibrato - L10.2 - L10.3 oral tract - L10.2 - L10.4a practice schedule - L10.7 - L10.7b tongue vibrato - L10.4 vocal Registers - L6.2 Bell - L6.2a - L6.2b Head - L6.2a - L6.2b Middle - L6.2a - L6.2b Chest - L6.2a - L6.2b vocalisations "daaa", "daaadaaa" - L7.1 - L7.5 - L7.5a "daaaad", "daaaat" - L7.1 - L7.5 - L7.5b "dit", "dat", "dot" - L7.1 - L7.6 "dugudugu" - L7.1a "eyaeya" - L10.4 "heeee", "haaaa" - L8.7a "hooooo" - L3.5 - L4.2a - L7.1 "tukutuku" - L7.1a "wawawa" - L10.3 - L10.3a "wu" - L3.5 "yayaya" - L10.4 voicing and articulation - L7.4 concept - L5.1 experiment for alternative high E, F and F# - L8.7a oral tract shapes - L5.1a PAVE - L1.4 vowels - L9.6 vowel sound in legato tonguing - L7.5 in throat closure - L7.1a in voicing - L9.6 tongue shapes Table - L9.6b (Down - Up - Top - Links) W. - X. "wawawa" (vocalisation) - L10.3 - L10.3a When You're not There" (song) - L8.8a window (of mouthpiece) - L3.1 whole-tone scale - L4.6 - Tone Exercise 1a - Tone Exercise 1b wrist position - L2.4 - QA2.G right hand wrist action - L2.5 - L8.2a "wu" (vocalisation) - L3.5 (Up - Top - Links) Y. - Z. "yayaya", "eyaeya" (vocalisation) - L10.4 Yamaha - mouthpiece L3.1a - L3.3a yawn breathing in - L4.2 blowing (breathing out) - L4.2a in organic imagery - L9.2a Yoga breathing - L4.2 Copyright © 2002 - 2006 Michael Furstner (Jazclass). All rights reserved.
(Down - Up - Top - Links) S. saxophone acoustic system - L6cl.1 baritone - L3.3a doubling of instruments - L10.8 harness - L2.2 - Klondyke harness how to hold the saxophone - L2.2 Overtones in lower, middle, Upper and Altissimo registers - L5.4a reed angle - L2.3 registers - L6.1a resonator - L1.1 scales chromatic - L8.5 - L8.4a harmonic minor scale in all keys - L10.7 - Notation : part 1 - Notation : part 2 major pentatonic scale in all keys - L10.7 - Notation : part 1 - Notation : part 2 major scale - L4.7 major scale fingering in all keys - L8.6 - Notation : part 1 - Notation : part 2 major scale practice - L1.6 - L4.7 - L8.6 major scale patterns - L10.7d practice schedule - L10.7 - L10.7c other scales - L10.7e slurred tones exercise - L1.6 whole-tone scale - L4.6 - Tone Exercise 1a - Tone Exercise 1b Selmer - mouthpiece L3.1a - L3.3 - L3.3a semibreve - note names semiquaver - note names seventh chords - L10.7d Practice Routines seventh chords in all keys - part 1 - part 2 shoulders posture - L2.1 - L2.2a when breathing in - L4.2 side keys side key Bb action - L2.5 side key C action - L2.5 side key high E action - L2.5 side rail (of mouthpiece) - L3.1 singers (oral tract) - L6a.2 organic imagery - L9.1 - L9.2 - L9.3 breathing (organic imagery) - L9.5 slurred practice of scales - L1.6 - L8.6 tone and Overtone practice - L7.4b articulation patterns - Articulation Exercise 8 soft palate Diagram - L6.5 - L6.5b in organic imagery - L9.2c movement in voicing - L6.5a organic imagery - L9.3 - L9.3a songs - all song files soprano sax altissimo register - L10.5a Bell Register - L6.3c doubling of instruments - L10.8 mouthpiece pitch - L3.8 - QA3.e transition point to Head Register - L6.6a Overtones 1 to 16 - L6.6b speech improvement through Overtone practice - L6a.1b squeak - breaking into Head Register L6.4 staccato articulation - L7.6 stomach breathing in - L4.2 blowing (breathing out) - L4.2a in breathing exercise - L4.3 muscles in articulation - L7.1 Strolling with You (song) - L4.8 (Down - Up - Top - Links) T. teethposition of upper teeth - L2.2c - L3.5 tenor sax mouthpiece pitch - L3.8 - QA3.e transition point to Head Register - L6.6a Overtones 1 to 16 - L6.6b There's Always a Way - L8.5a throat articulation - L7.1a - L7.2a - L7.3 in breathing exercise - L4.3 sore throat in Overtone practice - L6a.1b legato tonguing - L7.5 organic imagery - L9.3 - L9.3a shapes when voicing - L5.1a sizes for various note pitches - L6.3b thumb function for sax alignment - L2.2b left thumb action - L2.4a - QA2.G left thumb position - L2.4 timbre change through tongue movement - L9.6b Overtones - L5.2a of an instrument - L5.2a timing (and articulation) - L7.7 tip rail (of mouthpiece) - L3.1 - L3.4 tone and articulation and timing (TAT) - L7.7 articulation practice - L7.4a Exercises 1 - L4.6 Exercises 2 & 3 - L8.8 Exercises 4 & 5 - L9.5 - L9.8 practice schedule - L10.7 - L10.7b tone projection - L9.4 tone centre - in organic imagery - L9.2 tongue articulation - L7.1 - L7.2 - L7.3 - L7.4 - L7.4a double tonguing - L7.1a experiment - L9.6b function in voicing - L6.5 - L6.5a - L6.5b in breathing exercise - L4.3 legato tonguing - L7.5 long tong (articulation) -L7.2 - L7.2a organic imagery - L9.3 - L9.3a short tong (articulation) -L7.2 - L7.2a shapes when voicing - L5.1a tongue vibrato - L10.4 vowels (tongue shapes for voicing) - L9.6 - L9.6b trachea - L6.5 - L6.5b transposing instruments - Intro 7 Transposition Table triad chords - L10.7d Practice Routines triad chords in all keys - part 1 - part 2 "tukutuku" (vocalisation) - L7.1a tuning the saxophone - L3.4a (Down - Up - Top - Links) U. upper lip - position for embouchure - QA3.B uvula - L6.5 - L6.5a - L6.5b (Down - Up - Top - Links) V. Vandoren - Company Classique (reed classification) - L3.2 Java (reed classification) - L3.2 vibrato (general) - L10.1 amplitude - L10.3b embouchure (Jaw vibrato) - L10.2 exercises - L10.3 frequency - L10.1a - L10.3b jaw vibrato - L10.2 - L10.3 oral tract - L10.2 - L10.4a practice schedule - L10.7 - L10.7b tongue vibrato - L10.4 vocal Registers - L6.2 Bell - L6.2a - L6.2b Head - L6.2a - L6.2b Middle - L6.2a - L6.2b Chest - L6.2a - L6.2b vocalisations "daaa", "daaadaaa" - L7.1 - L7.5 - L7.5a "daaaad", "daaaat" - L7.1 - L7.5 - L7.5b "dit", "dat", "dot" - L7.1 - L7.6 "dugudugu" - L7.1a "eyaeya" - L10.4 "heeee", "haaaa" - L8.7a "hooooo" - L3.5 - L4.2a - L7.1 "tukutuku" - L7.1a "wawawa" - L10.3 - L10.3a "wu" - L3.5 "yayaya" - L10.4 voicing and articulation - L7.4 concept - L5.1 experiment for alternative high E, F and F# - L8.7a oral tract shapes - L5.1a PAVE - L1.4 vowels - L9.6 vowel sound in legato tonguing - L7.5 in throat closure - L7.1a in voicing - L9.6 tongue shapes Table - L9.6b (Down - Up - Top - Links) W. - X. "wawawa" (vocalisation) - L10.3 - L10.3a When You're not There" (song) - L8.8a window (of mouthpiece) - L3.1 whole-tone scale - L4.6 - Tone Exercise 1a - Tone Exercise 1b wrist position - L2.4 - QA2.G right hand wrist action - L2.5 - L8.2a "wu" (vocalisation) - L3.5 (Up - Top - Links) Y. - Z. "yayaya", "eyaeya" (vocalisation) - L10.4 Yamaha - mouthpiece L3.1a - L3.3a yawn breathing in - L4.2 blowing (breathing out) - L4.2a in organic imagery - L9.2a Yoga breathing - L4.2 Copyright © 2002 - 2006 Michael Furstner (Jazclass). All rights reserved.
(Down - Up - Top - Links) T. teethposition of upper teeth - L2.2c - L3.5 tenor sax mouthpiece pitch - L3.8 - QA3.e transition point to Head Register - L6.6a Overtones 1 to 16 - L6.6b There's Always a Way - L8.5a throat articulation - L7.1a - L7.2a - L7.3 in breathing exercise - L4.3 sore throat in Overtone practice - L6a.1b legato tonguing - L7.5 organic imagery - L9.3 - L9.3a shapes when voicing - L5.1a sizes for various note pitches - L6.3b thumb function for sax alignment - L2.2b left thumb action - L2.4a - QA2.G left thumb position - L2.4 timbre change through tongue movement - L9.6b Overtones - L5.2a of an instrument - L5.2a timing (and articulation) - L7.7 tip rail (of mouthpiece) - L3.1 - L3.4 tone and articulation and timing (TAT) - L7.7 articulation practice - L7.4a Exercises 1 - L4.6 Exercises 2 & 3 - L8.8 Exercises 4 & 5 - L9.5 - L9.8 practice schedule - L10.7 - L10.7b tone projection - L9.4 tone centre - in organic imagery - L9.2 tongue articulation - L7.1 - L7.2 - L7.3 - L7.4 - L7.4a double tonguing - L7.1a experiment - L9.6b function in voicing - L6.5 - L6.5a - L6.5b in breathing exercise - L4.3 legato tonguing - L7.5 long tong (articulation) -L7.2 - L7.2a organic imagery - L9.3 - L9.3a short tong (articulation) -L7.2 - L7.2a shapes when voicing - L5.1a tongue vibrato - L10.4 vowels (tongue shapes for voicing) - L9.6 - L9.6b trachea - L6.5 - L6.5b transposing instruments - Intro 7 Transposition Table triad chords - L10.7d Practice Routines triad chords in all keys - part 1 - part 2 "tukutuku" (vocalisation) - L7.1a tuning the saxophone - L3.4a (Down - Up - Top - Links) U. upper lip - position for embouchure - QA3.B uvula - L6.5 - L6.5a - L6.5b (Down - Up - Top - Links) V. Vandoren - Company Classique (reed classification) - L3.2 Java (reed classification) - L3.2 vibrato (general) - L10.1 amplitude - L10.3b embouchure (Jaw vibrato) - L10.2 exercises - L10.3 frequency - L10.1a - L10.3b jaw vibrato - L10.2 - L10.3 oral tract - L10.2 - L10.4a practice schedule - L10.7 - L10.7b tongue vibrato - L10.4 vocal Registers - L6.2 Bell - L6.2a - L6.2b Head - L6.2a - L6.2b Middle - L6.2a - L6.2b Chest - L6.2a - L6.2b vocalisations "daaa", "daaadaaa" - L7.1 - L7.5 - L7.5a "daaaad", "daaaat" - L7.1 - L7.5 - L7.5b "dit", "dat", "dot" - L7.1 - L7.6 "dugudugu" - L7.1a "eyaeya" - L10.4 "heeee", "haaaa" - L8.7a "hooooo" - L3.5 - L4.2a - L7.1 "tukutuku" - L7.1a "wawawa" - L10.3 - L10.3a "wu" - L3.5 "yayaya" - L10.4 voicing and articulation - L7.4 concept - L5.1 experiment for alternative high E, F and F# - L8.7a oral tract shapes - L5.1a PAVE - L1.4 vowels - L9.6 vowel sound in legato tonguing - L7.5 in throat closure - L7.1a in voicing - L9.6 tongue shapes Table - L9.6b (Down - Up - Top - Links) W. - X. "wawawa" (vocalisation) - L10.3 - L10.3a When You're not There" (song) - L8.8a window (of mouthpiece) - L3.1 whole-tone scale - L4.6 - Tone Exercise 1a - Tone Exercise 1b wrist position - L2.4 - QA2.G right hand wrist action - L2.5 - L8.2a "wu" (vocalisation) - L3.5 (Up - Top - Links) Y. - Z. "yayaya", "eyaeya" (vocalisation) - L10.4 Yamaha - mouthpiece L3.1a - L3.3a yawn breathing in - L4.2 blowing (breathing out) - L4.2a in organic imagery - L9.2a Yoga breathing - L4.2 Copyright © 2002 - 2006 Michael Furstner (Jazclass). All rights reserved.
(Down - Up - Top - Links) V. Vandoren - Company Classique (reed classification) - L3.2 Java (reed classification) - L3.2 vibrato (general) - L10.1 amplitude - L10.3b embouchure (Jaw vibrato) - L10.2 exercises - L10.3 frequency - L10.1a - L10.3b jaw vibrato - L10.2 - L10.3 oral tract - L10.2 - L10.4a practice schedule - L10.7 - L10.7b tongue vibrato - L10.4 vocal Registers - L6.2 Bell - L6.2a - L6.2b Head - L6.2a - L6.2b Middle - L6.2a - L6.2b Chest - L6.2a - L6.2b vocalisations "daaa", "daaadaaa" - L7.1 - L7.5 - L7.5a "daaaad", "daaaat" - L7.1 - L7.5 - L7.5b "dit", "dat", "dot" - L7.1 - L7.6 "dugudugu" - L7.1a "eyaeya" - L10.4 "heeee", "haaaa" - L8.7a "hooooo" - L3.5 - L4.2a - L7.1 "tukutuku" - L7.1a "wawawa" - L10.3 - L10.3a "wu" - L3.5 "yayaya" - L10.4 voicing and articulation - L7.4 concept - L5.1 experiment for alternative high E, F and F# - L8.7a oral tract shapes - L5.1a PAVE - L1.4 vowels - L9.6 vowel sound in legato tonguing - L7.5 in throat closure - L7.1a in voicing - L9.6 tongue shapes Table - L9.6b (Down - Up - Top - Links) W. - X. "wawawa" (vocalisation) - L10.3 - L10.3a When You're not There" (song) - L8.8a window (of mouthpiece) - L3.1 whole-tone scale - L4.6 - Tone Exercise 1a - Tone Exercise 1b wrist position - L2.4 - QA2.G right hand wrist action - L2.5 - L8.2a "wu" (vocalisation) - L3.5 (Up - Top - Links) Y. - Z. "yayaya", "eyaeya" (vocalisation) - L10.4 Yamaha - mouthpiece L3.1a - L3.3a yawn breathing in - L4.2 blowing (breathing out) - L4.2a in organic imagery - L9.2a Yoga breathing - L4.2 Copyright © 2002 - 2006 Michael Furstner (Jazclass). All rights reserved.
(Down - Up - Top - Links) W. - X. "wawawa" (vocalisation) - L10.3 - L10.3a When You're not There" (song) - L8.8a window (of mouthpiece) - L3.1 whole-tone scale - L4.6 - Tone Exercise 1a - Tone Exercise 1b wrist position - L2.4 - QA2.G right hand wrist action - L2.5 - L8.2a "wu" (vocalisation) - L3.5 (Up - Top - Links) Y. - Z. "yayaya", "eyaeya" (vocalisation) - L10.4 Yamaha - mouthpiece L3.1a - L3.3a yawn breathing in - L4.2 blowing (breathing out) - L4.2a in organic imagery - L9.2a Yoga breathing - L4.2 Copyright © 2002 - 2006 Michael Furstner (Jazclass). All rights reserved.
(Up - Top - Links) Y. - Z. "yayaya", "eyaeya" (vocalisation) - L10.4 Yamaha - mouthpiece L3.1a - L3.3a yawn breathing in - L4.2 blowing (breathing out) - L4.2a in organic imagery - L9.2a Yoga breathing - L4.2 Copyright © 2002 - 2006 Michael Furstner (Jazclass). All rights reserved.
